843 Punch-Drunk Love
- Magic Hate Ball
- Joined: Mon Jul 09, 2007 6:15 pm
- Location: Seattle, WA
-
- Joined: Fri Jun 22, 2007 2:57 am
- Magic Hate Ball
- Joined: Mon Jul 09, 2007 6:15 pm
- Location: Seattle, WA
There's something ethereal about this film. Light and tone are used constantly; you can feel the cold morning air when Barry first finds the Harmonium, the warm Hawaiian light and the coolness under the arch. The sound and cinematography crunch together and pressure the viewer into feeling just as harassed as Barry. I have nothing but praise for it.
I quite like it. It jerks me around and overwhelms me, and that's about all I ask from it.noelbotevera wrote:Not a big fan.Magic Hate Ball wrote:Requiem For A Dream
- Magic Hate Ball
- Joined: Mon Jul 09, 2007 6:15 pm
- Location: Seattle, WA
I do. But from that specific movie, I don't. If ever I need to feel like I'm being beaten up in a washing machine, I turn to that. It's a purely emotional relationship I have with it. I connect myself to the characters, and then get torn apart. I suppose it's why sobbing housewives attach themselves to such dreck like All My Children. It's a quick emotional fix.domino harvey wrote:You should ask more
PDL is something else entirely, but I watch it for a similar reason; to be emotionally contorted. It's weird and delightful, and also dark and unhappy. It looks how I see life; over-lit and chaotic, with everybody asking questions and everybody trying to make things work. It's also like going to a Rothko exhibit, if we are to discuss cinematography. Not only do the Jeremy Blake bits live and breathe, but every shot exudes its own life. The double shot of Lena coming up the path at the hotel, Barry hiding in his warehouse behind the wall from Lena, the two of them in silouhette at the very end. It's a cartoon charicature of life that is more lifelike than many dramas that claim to be just that.
Of course, I may just be oddly receptive to mood-altering films.
-
- Joined: Fri Jun 22, 2007 2:57 am
- bkimball
- Joined: Sat Apr 15, 2006 12:10 am
- Location: SLC, UT
I watched Punch-Drunk Love again for the first time in a while, and I forget about how well Barry's world of unrest is portrayed so well. As I am someone who had a nervous breakdown quenched by romance, I feel a strong connection to how Barry feels calm and strength after falling in love.
One of the many other things I love about the film is that there are so many sweet and yet dry humorous moments that take place throughout the entire thing.
Does anyone have recommendations of romantic comedies that are similar in tone?
One of the many other things I love about the film is that there are so many sweet and yet dry humorous moments that take place throughout the entire thing.
Does anyone have recommendations of romantic comedies that are similar in tone?
-
- Joined: Sat Sep 09, 2006 11:38 am
- Location: New York City
-
- Joined: Sat Sep 09, 2006 11:38 am
- Location: New York City
-
- Joined: Fri Jun 22, 2007 2:57 am
- Marcel Gioberti
- Joined: Thu Dec 27, 2007 9:55 pm
- Location: Torino, Italy
-
- Joined: Fri Jun 22, 2007 2:57 am
- Marcel Gioberti
- Joined: Thu Dec 27, 2007 9:55 pm
- Location: Torino, Italy
-
- Joined: Tue Jul 09, 2013 12:43 am
Joe Dante, Dante's Peak, Volcano. Joe Volcano. Joe vs. the Volcano.Marcel Gioberti wrote:Now I'm tortured as to why in the hell I thought that...noelbotevera wrote:It's by John Patrick Shanley, who's had a spotty career. But that's strange--I've often thought of it as a Dante film myself. Borrows something of his spirit, p'raps?
maybe?
-
- Joined: Fri Jun 22, 2007 2:57 am
-
- Joined: Sat Sep 09, 2006 11:38 am
- Location: New York City
Alright, i always like to be surprised by something i have low expectations for, so it's just been BUMPED to the top of the Netflix queue.Jeff wrote:I never made that connection before, but Joe is indeed the long-lost cousin of Punch-Drunk. What a great recommendation.
For those who aren't familiar with the awesomeness that is Joe Versus the Volcano, it has its own thread here.
- zedz
- Joined: Sun Nov 07, 2004 7:24 pm
Timely retrospection by Matt Zoller Seitz in the NYT in coverage of a MoMI retro:
[quote]Punch-Drunk Love
Mr. Anderson himself did move ahead, conspicuously, with the romantic comedy Punch-Drunk Love (2002). A truly strange movie told mostly in long, slow, unbroken camera moves, interspersed with abstract color patterns and partly scored with a harmonium, it was also the first of Mr. Anderson's features that concentrated on one character: an emotionally constipated, lovestruck man-child (Adam Sandler) who had no on-screen father, and who struggled to assert his own identity in the presence of his domineering sisters.
Like the filmmaker's previous efforts, Punch-Drunk Love paid homage to past masters, including Mr. Altman, whom Mr. Anderson honored by scoring a daft travel montage with He Needs Me,
[quote]Punch-Drunk Love
Mr. Anderson himself did move ahead, conspicuously, with the romantic comedy Punch-Drunk Love (2002). A truly strange movie told mostly in long, slow, unbroken camera moves, interspersed with abstract color patterns and partly scored with a harmonium, it was also the first of Mr. Anderson's features that concentrated on one character: an emotionally constipated, lovestruck man-child (Adam Sandler) who had no on-screen father, and who struggled to assert his own identity in the presence of his domineering sisters.
Like the filmmaker's previous efforts, Punch-Drunk Love paid homage to past masters, including Mr. Altman, whom Mr. Anderson honored by scoring a daft travel montage with He Needs Me,
- domino harvey
- Dot Com Dom
- Joined: Wed Jan 11, 2006 2:42 pm
It's a great film, choosing between his films is like choosing children. I used to watch the moneycard scam section on a constant loop.davidhare wrote:How finely these two movies (I havent seen the newbie yet) seem to resonate with PTA's first film the absolutely wonderful Hard Eight/Sydney. This great little movie seems to be completely overlooked in the current discussions.
He's basically the only director whose work I enjoyed equally pre and post discovering film as art.
- exte
- Joined: Wed Nov 03, 2004 4:27 pm
- Location: NJ
Wow. (And wow for watching/catching Sydney pre-art phase!)domino harvey wrote:It's a great film, choosing between his films is like choosing children. I used to watch the moneycard scam section on a constant loop.davidhare wrote:How finely these two movies (I havent seen the newbie yet) seem to resonate with PTA's first film the absolutely wonderful Hard Eight/Sydney. This great little movie seems to be completely overlooked in the current discussions.
He's basically the only director whose work I enjoyed equally pre and post discovering film as art.
- domino harvey
- Dot Com Dom
- Joined: Wed Jan 11, 2006 2:42 pm
- miless
- Joined: Sat Apr 01, 2006 9:45 pm
depending upon when you were in 8th or 9th grade... Happiness sure could have screwed with you.domino harvey wrote:I taped it off Showtime in 8th or 9th grade! I used to obsessively read Entertainment Weekly as a kid and would try to watch anything they or Ebert liked-- Hard Eight was one of the first to really wow my young mind.
- domino harvey
- Dot Com Dom
- Joined: Wed Jan 11, 2006 2:42 pm
Forthcoming: Punch-Drunk Love
Ha! Pretty sure I saw and loved that one around the same time. At least by high school. I remember trying to get people to sit thru Citizen Ruth during this same time period, now that went over real well in the Bible belt.miless wrote:depending upon when you were in 8th or 9th grade... Happiness sure could have screwed with you.domino harvey wrote:I taped it off Showtime in 8th or 9th grade! I used to obsessively read Entertainment Weekly as a kid and would try to watch anything they or Ebert liked-- Hard Eight was one of the first to really wow my young mind.
Maybe this should be a split thread: When did you start watching adult movies? (EDIT: That should garner some off topic conversation of its own-- mods finesse that)