672-675 3 Films by Rossellini Starring Ingrid Bergman
- Jeff
- Joined: Tue Nov 02, 2004 9:49 pm
- Location: Denver, CO
672-675 3 Films by Rossellini Starring Ingrid Bergman
3 Films by Roberto Rossellini Starring Ingrid Bergman
In the late 1940s, the incandescent Hollywood star Ingrid Bergman found herself so moved by the revolutionary neorealist films of Roberto Rossellini that she sent the director a letter, introducing herself and offering her talents. The resulting collaboration produced a series of films that are works of both sociopolitical concern and metaphysical melodrama, each starring Bergman as a woman experiencing physical dislocation and psychic torment in postwar Italy. It also famously led to a scandalous affair and eventual marriage between filmmaker and star, and the focus on their personal lives in the press unfortunately overshadowed the extraordinary films they made together. Stromboli, Europe ’51, and Journey to Italy are intensely personal portraits that reveal the director at his most emotional and the glamorous actor at her most anguished, and that capture them and the world around them in transition.
Stromboli
The first collaboration between Roberto Rossellini and Ingrid Bergman is a devastating portrait of a woman’s existential crisis, set against the beautiful and forbidding backdrop of a volcanic island. After World War II, a Lithuanian refugee (Bergman) marries a simple Italian fisherman (Mario Vitale) she meets in a prisoner of war camp and accompanies him back to his isolated village on an island off the coast of Sicily. Cut off from the world, she finds herself crumbling emotionally, but she is destined for a dramatic epiphany. Balancing the director’s trademark neorealism (exemplified here in a remarkable depiction of the fishermen’s lives and work) with deeply felt melodrama, Stromboli is a revelation.
Europe '51
Ingrid Bergman plays a wealthy, self-absorbed socialite in Rome racked by guilt over the shocking death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity. The intense, often unfairly overlooked Europe ’51 was, according to Rossellini, a retelling of his own The Flowers of St. Francis from a female perspective. This unabashedly political but sensitively conducted investigation of modern sainthood was the director’s favorite of his films.
Journey to Italy
Among the most influential dramatic works of the postwar era, Roberto Rossellini’s Journey to Italy charts the declining marriage of a couple (Ingrid Bergman and George Sanders) from England while on a trip in the countryside near Naples. More than just an anatomy of a relationship, Rossellini’s masterpiece is a heartrending work of emotion and spirituality. Considered a predecessor to the existentialist films of Michelangelo Antonioni; hailed as a groundbreaking modernist work by the legendary film journal Cahiers du cinéma; and named by director Martin Scorsese as one of his favorite films, Journey to Italy is a breathtaking cinematic benchmark.
Disc Features
- New digital film restorations of the English- and Italian-language versions of Stromboli and Europe ’51 and the English-language version of Journey to Italy, with uncompressed monaural soundtracks on the Blu-ray editions
- Archival television introductions by director Roberto Rossellini to all three films
- Audio commentary for Journey to Italy featuring scholar Laura Mulvey
- Rossellini Through His Own Eyes, a 1992 documentary on the filmmaker’s approach to cinema, featuring archival interviews with Rossellini and actor Ingrid Bergman
- New visual essays about Rossellini by scholars Tag Gallagher and James Quandt
- Rossellini Under the Volcano, a 1998 documentary that returns to the island of Stromboli fifty years after the making of Stromboli
- New interview with critic Adriano Aprà about each of the films
- New interview with Fiorella Mariani, Rossellini’s niece, featuring home movies shot by Bergman
- New interview with film historian Elena Degrada about the different versions of Europe ’51
- New interviews with Isabella Rossellini and Ingrid Rossellini, daughters of Rossellini and Bergman
- Ingrid Bergman Remembered, a 1996 documentary on the actor’s life, narrated by her daughter Pia Lindstrom
- My Dad Is 100 Years Old, a 2005 short film, directed by Guy Maddin and starring Isabella Rossellini
- The Chicken, a 1952 short film by Roberto Rossellini, starring Bergman
- A Short Visit with the Rossellini Family, a six-minute film shot on Capri while the family was there during the production of Journey to Italy
- New English subtitle translation for Stromboli and Europe ’51
- PLUS: A booklet featuring essays by critics Richard Brody, Fred Camper, Dina Iordanova, and Paul Thomas; letters exchanged by Rossellini and Bergman; “Why I Directed Stromboli,” a 1950 article by Rossellini; a 1954 interview with Rossellini conducted by Eric Rohmer and François Truffaut for Cahiers du cinéma; and excerpts from a 1965 interview with Rossellini conducted by Aprà and Maurizio Ponzi for Filmcritica
In the late 1940s, the incandescent Hollywood star Ingrid Bergman found herself so moved by the revolutionary neorealist films of Roberto Rossellini that she sent the director a letter, introducing herself and offering her talents. The resulting collaboration produced a series of films that are works of both sociopolitical concern and metaphysical melodrama, each starring Bergman as a woman experiencing physical dislocation and psychic torment in postwar Italy. It also famously led to a scandalous affair and eventual marriage between filmmaker and star, and the focus on their personal lives in the press unfortunately overshadowed the extraordinary films they made together. Stromboli, Europe ’51, and Journey to Italy are intensely personal portraits that reveal the director at his most emotional and the glamorous actor at her most anguished, and that capture them and the world around them in transition.
Stromboli
The first collaboration between Roberto Rossellini and Ingrid Bergman is a devastating portrait of a woman’s existential crisis, set against the beautiful and forbidding backdrop of a volcanic island. After World War II, a Lithuanian refugee (Bergman) marries a simple Italian fisherman (Mario Vitale) she meets in a prisoner of war camp and accompanies him back to his isolated village on an island off the coast of Sicily. Cut off from the world, she finds herself crumbling emotionally, but she is destined for a dramatic epiphany. Balancing the director’s trademark neorealism (exemplified here in a remarkable depiction of the fishermen’s lives and work) with deeply felt melodrama, Stromboli is a revelation.
Europe '51
Ingrid Bergman plays a wealthy, self-absorbed socialite in Rome racked by guilt over the shocking death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity. The intense, often unfairly overlooked Europe ’51 was, according to Rossellini, a retelling of his own The Flowers of St. Francis from a female perspective. This unabashedly political but sensitively conducted investigation of modern sainthood was the director’s favorite of his films.
Journey to Italy
Among the most influential dramatic works of the postwar era, Roberto Rossellini’s Journey to Italy charts the declining marriage of a couple (Ingrid Bergman and George Sanders) from England while on a trip in the countryside near Naples. More than just an anatomy of a relationship, Rossellini’s masterpiece is a heartrending work of emotion and spirituality. Considered a predecessor to the existentialist films of Michelangelo Antonioni; hailed as a groundbreaking modernist work by the legendary film journal Cahiers du cinéma; and named by director Martin Scorsese as one of his favorite films, Journey to Italy is a breathtaking cinematic benchmark.
Disc Features
- New digital film restorations of the English- and Italian-language versions of Stromboli and Europe ’51 and the English-language version of Journey to Italy, with uncompressed monaural soundtracks on the Blu-ray editions
- Archival television introductions by director Roberto Rossellini to all three films
- Audio commentary for Journey to Italy featuring scholar Laura Mulvey
- Rossellini Through His Own Eyes, a 1992 documentary on the filmmaker’s approach to cinema, featuring archival interviews with Rossellini and actor Ingrid Bergman
- New visual essays about Rossellini by scholars Tag Gallagher and James Quandt
- Rossellini Under the Volcano, a 1998 documentary that returns to the island of Stromboli fifty years after the making of Stromboli
- New interview with critic Adriano Aprà about each of the films
- New interview with Fiorella Mariani, Rossellini’s niece, featuring home movies shot by Bergman
- New interview with film historian Elena Degrada about the different versions of Europe ’51
- New interviews with Isabella Rossellini and Ingrid Rossellini, daughters of Rossellini and Bergman
- Ingrid Bergman Remembered, a 1996 documentary on the actor’s life, narrated by her daughter Pia Lindstrom
- My Dad Is 100 Years Old, a 2005 short film, directed by Guy Maddin and starring Isabella Rossellini
- The Chicken, a 1952 short film by Roberto Rossellini, starring Bergman
- A Short Visit with the Rossellini Family, a six-minute film shot on Capri while the family was there during the production of Journey to Italy
- New English subtitle translation for Stromboli and Europe ’51
- PLUS: A booklet featuring essays by critics Richard Brody, Fred Camper, Dina Iordanova, and Paul Thomas; letters exchanged by Rossellini and Bergman; “Why I Directed Stromboli,” a 1950 article by Rossellini; a 1954 interview with Rossellini conducted by Eric Rohmer and François Truffaut for Cahiers du cinéma; and excerpts from a 1965 interview with Rossellini conducted by Aprà and Maurizio Ponzi for Filmcritica
- swo17
- Bloodthirsty Butcher
- Joined: Tue Apr 15, 2008 10:25 am
- Location: SLC, UT
Re: 672-675 Three Films by Roberto Rossellini...
Well, The Chicken made it anyway. And a Guy Maddin film!
- domino harvey
- Dot Com Dom
- Joined: Wed Jan 11, 2006 2:42 pm
Re: 672-675 Three Films by Roberto Rossellini...
You can't win 'em all!swo17 wrote: And a Guy Maddin film!
- zedz
- Joined: Sun Nov 07, 2004 7:24 pm
Re: 672-675 Three Films by Roberto Rossellini...
They've been holding onto My Dad Is 100 Years Old forever. Looks like a superb set of extras with this box.
Shame about the missing features: I can't imagine Criterion ever finding the opportunity to release Joan of Arc at the Stake, and runt of the litter Fear is a thousand-to-one shot. That said, does anybody have a good explanation exactly why Fear is a perpetual also-ran? For the life of me, I can't understand what separates it from the other three films in terms of quality or theme. Surely it's not just another manifestation of this ridiculous marketing obsession with trilogies?
Shame about the missing features: I can't imagine Criterion ever finding the opportunity to release Joan of Arc at the Stake, and runt of the litter Fear is a thousand-to-one shot. That said, does anybody have a good explanation exactly why Fear is a perpetual also-ran? For the life of me, I can't understand what separates it from the other three films in terms of quality or theme. Surely it's not just another manifestation of this ridiculous marketing obsession with trilogies?
- domino harvey
- Dot Com Dom
- Joined: Wed Jan 11, 2006 2:42 pm
Re: 672-675 Three Films by Roberto Rossellini...
They've carried over the Mulvey commentary from the BFI DVD too! While I'd like the missing films too, this looks like a strong contender for release of the year
- Matt
- Joined: Tue Nov 02, 2004 12:58 pm
Re: 672-675 Three Films by Roberto Rossellini...
You know, they still have yet to re-release The Passion of Joan of Arc and to release Bresson's The Trial of Joan of Arc. Maybe they'll all show up in one big box.zedz wrote:I can't imagine Criterion ever finding the opportunity to release Joan of Arc at the Stake
- domino harvey
- Dot Com Dom
- Joined: Wed Jan 11, 2006 2:42 pm
Re: 672-675 Three Films by Roberto Rossellini...
With Godard's King Lear tooMatt wrote:You know, they still have yet to re-release The Passion of Joan of Arc and Bresson's The Trial of Joan of Arc. Maybe they'll all show up in one big box.zedz wrote:I can't imagine Criterion ever finding the opportunity to release Joan of Arc at the Stake
- zedz
- Joined: Sun Nov 07, 2004 7:24 pm
Re: 672-675 Three Films by Roberto Rossellini...
Burn, Baby, Burn: The Joan of Arc Celebrity Auteur Roast.
- matrixschmatrix
- Joined: Tue May 25, 2010 11:26 pm
Re: 672-675 Three Films by Roberto Rossellini...
If we're fantasizing, let's imagine that Criterion licensed Preminger's Saint Joan from Warner while we're at it.
- domino harvey
- Dot Com Dom
- Joined: Wed Jan 11, 2006 2:42 pm
Re: 672-675 Three Films by Roberto Rossellini...
The thing is, all of these movies are great. I've always wanted to teach a film class just on Joan of Arc and Jesse James depictions
- The Narrator Returns
- Joined: Tue Nov 15, 2011 6:35 pm
Re: 672-675 Three Films by Roberto Rossellini...
And for the sake of completion, let's throw in Luc Besson's The Messenger: Joan of Arc, absolutely free!
- warren oates
- Joined: Fri Mar 02, 2012 12:16 pm
Re: 672-675 Three Films by Roberto Rossellini...
Why not throw in the tedious Rivette films too?
- EddieLarkin
- Joined: Sat Sep 08, 2012 10:25 am
Re: 672-675 3 Films by Roberto Rossellini...
Stromboli and Europe ’51 will include both the English and Italian versions; not just alternate tracks, but separate transfers. How did the Italian prints differ, other than the obvious (title cards/soundtrack)?
*edit: actually there's a good run down of the differences for Stromboli in the BFI thread. I assume Europe '51 is generally the same. How about Journey? Is it case of it never having an alternate Italian cut or Criterion not being able to get the materials?
*edit: actually there's a good run down of the differences for Stromboli in the BFI thread. I assume Europe '51 is generally the same. How about Journey? Is it case of it never having an alternate Italian cut or Criterion not being able to get the materials?
- zedz
- Joined: Sun Nov 07, 2004 7:24 pm
Re: 672-675 Three Films by Roberto Rossellini...
Have you forgotten which label we're talking about here?warren oates wrote:Why not throw in the tedious Rivette films too?
We're more likely to see Varda's Birkin portrait (which i just talking about elsewhere).
- knives
- Joined: Sat Sep 06, 2008 6:49 pm
Re: 672-675 Three Films by Roberto Rossellini...
Actually Fear or The Machine That Kills Bad People is probably the next non-eclipse Rossellini they'll be releasing. They've shown a new transfer on TCM and have them both up on Hulu. They're probably never got off the pot with Joan though.zedz wrote: Shame about the missing features: I can't imagine Criterion ever finding the opportunity to release Joan of Arc at the Stake, and runt of the litter Fear is a thousand-to-one shot. That said, does anybody have a good explanation exactly why Fear is a perpetual also-ran? For the life of me, I can't understand what separates it from the other three films in terms of quality or theme. Surely it's not just another manifestation of this ridiculous marketing obsession with trilogies?
- Tommaso
- Joined: Fri May 19, 2006 10:09 am
Re: 672-675 Three Films by Roberto Rossellini...
Indeed. Not least because of tag's visual essays. I'd have loved to buy the BFI releases because they're dual format, but this set blows away all my expectations in terms of extras, so this one it must be, unless Gary The Beaver reports serious fiddling with the blackness boost knob. Fingers crossed. Absolutely stunning, this and the 3 1/2 hour extra on "Autumn Sonata". A slim month in terms of quantity, but CC has never been so close to their form of the mid 2000's for a long time, considering the two Ray discs scheduled for August, too. Chapeau! My poor credit card...domino harvey wrote:They've carried over the Mulvey commentary from the BFI DVD too! While I'd like the missing films too, this looks like a strong contender for release of the year
- Ashirg
- Joined: Wed Nov 03, 2004 9:10 am
- Location: Atlanta
Re: 672-675 3 Films by Roberto Rossellini...
It would make more sense to have a collection of 2 films - Ingrid Bergman as Joan of Arc with Victor Fleming's Joan of Arc (1948) (owned by Image) and Roberto Rossellini's Giovanna d'Arco al rogo (1954).
- NABOB OF NOWHERE
- Joined: Thu Sep 01, 2005 12:30 pm
- Location: Brandywine River
Re: 672-675 3 Films by Roberto Rossellini...
Someone in Ireland needs to go round and throw a bucket of water over ellipsis.
- ellipsis7
- Joined: Tue Nov 02, 2004 1:56 pm
- Location: Dublin
Re: 672-675 3 Films by Roberto Rossellini...
Leaving a pail of the wet stuff aside, this really is a great package, makes up for the drought of Italian CC releases for the first 8 months of the year...
The Italian language version of JOURNEY TO ITALY is to be included on the BFI BR/DVD package but not here...
The Italian language version of JOURNEY TO ITALY is to be included on the BFI BR/DVD package but not here...
- dad1153
- Joined: Thu Apr 16, 2009 10:32 am
- Location: New York, NY
Re: 672-675 3 Films by Roberto Rossellini...
TCM recently showed "Journey to Italy" (the first time I've seen the movie, which quietly blew me away; great ending) and it was in Italian with English subtitles, so that version exists. Wish this version was available on the Criterion release (it's good to have options) but it's out there.EddieLarkin wrote:How about Journey? Is it case of it never having an alternate Italian cut or Criterion not being able to get the materials?
Last edited by dad1153 on Mon Jun 17, 2013 7:02 pm, edited 1 time in total.
- ellipsis7
- Joined: Tue Nov 02, 2004 1:56 pm
- Location: Dublin
Re: 672-675 3 Films by Roberto Rossellini...
Those BFI JOURNEY specs...
Special Features
- Presented in both High Definition and Standard Definition
- Alternative Italian language version
- Feature-length Laura Mulvey audio commentary
- Extensive booklet with essays and film notes
- SpiderBaby
- Joined: Wed Dec 15, 2010 6:34 pm
Re: 672-675 3 Films by Roberto Rossellini...
Isn't the Italian cut 85 minutes, and the English version 97 minutes? Why is the English cut Criterion releasing 85 minutes (Janus has it around 85-86 minutes as well on their site)?
- matrixschmatrix
- Joined: Tue May 25, 2010 11:26 pm
Re: 672-675 3 Films by Roberto Rossellini...
I could understand including both versions for all of them, or for none, or only for Stromboli (in which the Italian version is markedly different, and in which Bergman dubbed her own voice) but I'm not sure I understand the rationale behind leaving off the Italian version on just Journey to Italy. Perhaps it's just an oversight? It seems doubly odd to have only the English language version if it's missing the sequence that's not in the Viaggio cut, which is all I can think of to account for the running time discrepancy.
- Fred Holywell
- Joined: Thu Jun 10, 2010 11:45 pm
Re: 672-675 3 Films by Roberto Rossellini...
Having seen both versions, I much prefer the English one, but the Italian should be included for both historical, as well as aesthetic reasons. I understand that the Rossellini family prefers the English, but apparently they don't have a problem with the Italian being released by the BFI. I hope Criterion offers an explanation for choosing to leave it out. (I seem to remember the recent TCM screening of the Italian version being preceded by a Janus Films logo, which, if correct, makes this even stranger.)matrixschmatrix wrote:...I'm not sure I understand the rationale behind leaving off the Italian version on just Journey to Italy.
- knives
- Joined: Sat Sep 06, 2008 6:49 pm
Re: 672-675 3 Films by Roberto Rossellini...
It's probably a matter of room and certainly the english edition is the more definitive and right to keep if one had to be dropped.